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Slovenská hudba, Vol. 39, No 4, p.354-358

Title: Heinrich Schenker a Guido Adler
Author: Lubomír Spurný

Abstract: The contribution deals with the explication of the term ‘musical analysis’ at the end of the 19th and beginning of the 20th century. The author points to a different usage of the term by Guido Adler and Heinrich Schenker. The mentioned differences are not conditioned only by generational gap or personal relations of both referred exponents, but mostly by different purposes for the usage of music-analytical probes. While for Adler analysis is an auxiliary method helping the description of the wider historical context of the style, school or creator of the epoch, Schenker uses it to express the extent of structural unity of particular compositions.

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Year: 2014, Volume: 39, Issue: 4 Page From: 354, Page To: 358



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