Home Slovenská hudba 2018 Slovenská hudba, Vol. 44, No 4, p.351-374

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Slovenská hudba, Vol. 44, No 4, p.351-374

Title: Podoby polyštýlovosti v kompozičnej tvorbe Mira Bázlika. Veľká syntéza v polyštýlovosti
Author: Ondrej Veselý

Abstract: The submitted study examines, from both the quantitative and qualitative aspects, the manifestations of polystylism in the compositional work of the composer, pianist and mathematician Miro Bázlik, whose model approach is represented by the composition of polystylistic music works. In the creative legacy of the composer the polystylistic technique appears in specifically appropriative quotations, adaptations, auto-quotations, allusions and sporadically the composer uses also the technique of the so-called “composition masque”. Polystylistic music poetics springs from Bázlik’s relationship towards the past and often semantically refers to various meanings. In the study the constitutive determinants of the composer’s work are analysed, as well as the demonstrations of polystylism in his piano, vocal-instrumental, concertante, orchestral and electronic compositions.

Year: 2018, Volume: 44, Issue: 4 Page From: 351, Page To: 374

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